• Viva La Vida M4a
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Seth Lakeman – The Well Worn Path (2018)FLAC (tracks) 24 bit/44,1 kHz Time – 51:22 minutes 517 MB Genre: Folk, Singer-SongwriterStudio Masters, Official Digital Download Front cover © Cooking VinylFolk singer/songwriter Seth Lakeman presents his ninth solo full-length, The Well-Worn Path, follow-up to 2016’s Ballads of the Broken Few. The album features producer Ben Hillier, bassist and longtime collaborator Ben Nicholls, guitarist Kit Hawes, and drummer Evan Jenkins. Lakeman even enlisted his sister-in-law, Kathryn Roberts, to provide backing vocals. Liam Martin.

Viva La Vida M4a

Sepalot – A New Cycle (2018)FLAC (tracks) 24 bit/96 kHz Time – 51:41 minutes 1 GB Genre: JazzStudio Masters, Official Digital Download Front cover © Eskapaden MusikThe Munich-based producer and beatmaker Sepalot is bringing his studio capitals to the stage with the help of his newly founded quartet and will be releasing the live album “A New Cycle” with his best songs on November 2, 2018 with the quartet. Sepalot as mastermind makes the quartet more than just the sum of the parts. The eclectic beats, the pulsating bass, Sepalot’s enthusiasm for atmospheric sound design, all that remains and is complemented by the element of jazz. A unique sound that seeks its equal and strives for something higher with an international format. Schin-ichi Fukuda – Japanese Guitar Music, Vol. 2 (2016)FLAC (tracks) 24 bit/96 kHz Time – 01:00:51 minutes 0,98 GB Genre: ClassicalStudio Masters, Official Digital Download Digital Booklet, Front cover © NaxosToru Takemitsu is widely regarded as the greatest Japanese composer of the 20th century. After the appearance of Folios in 1974 he was acknowledged as a formidable master of writing for the guitar, bringing to the instrument a sensibility and imaginative flair which have seldom been equalled.

In the Woods was his final composition. Shin-ichi Fukada and Leo Brouwer were both close friends of Takemitsu, and this programme includes Brouwer’s two heartfelt homages in his memory. Sarah MacDougall – All the Hours I Have Left to Tell You Anything (2018)FLAC (tracks) 24 bit/96 kHz Time – 36:59 minutes 734 MB Genre: Indie Pop, Indie FolkStudio Masters, Official Digital Download Front cover © Label In BetweenBoth a continuation and an evolution, All The Hours I Have Left To Tell You Anything is MacDougalls fourth record, following 2015s Western Canadian Music Award winning album Grand Canyon. The first single from All The Hours I Have Left To Tell You Anything, EMPIRE was created at an artist retreat in an abandoned silver mine town in the Yukon shortly after the death of her grandfather and the dissolution of a long-term relationship. The song is as catchy as it is mysterious, ambitious, and heroic. Sarah Ferri – Strings Sessions (2018)FLAC (tracks) 24 bit/44,1 kHz Time – 23:55 minutes 248 MB Genre: Pop, AcousticStudio Masters, Official Digital Download Front cover © Jazzhaus RecordsThe Belgian-Italian musician Sarah Ferri composes songs to hum along.

Now she is releasing an EP titled “Strings Sessions” after two successful albums. For this, six songs from their previous albums, the swinging “Ferritales” (2014) and the cinematic “Displeasure” (2016), were disassembled and rearranged for strings. Sachal Vasandani – Shadow Train (2018)FLAC (tracks) 24 bit/48 kHz Time – 48:43 minutes 549 MB Genre: ClassicalStudio Masters, Official Digital Download Front cover © Shadow TrainCritically acclaimed vocalist Sachal Vasandani assembled an all-star jazz crew to blend sounds new and old for his forthcoming album Shadow Train. On this album, the former Sony recording artist showcases original compositions as well as modern interpretations of classic jazz repertoire. The featured musicians are: saxophonist Dayna Stephens, bassist Reuben Rogers, pianist Taylor Eigsti, and drummer Eric Harland. Rusty Draper – Something Old, Something New (1968/2018)FLAC (tracks) 24 bit/192 kHz Time – 33:59 minutes 1,21 GB Genre: CountryStudio Masters, Official Digital Download Front cover © Monument – LegacySinger Rusty Draper was one of the biggest crossover stars of the early ’50s, selling over a million records to pop and country audiences before the rise of rock & roll derailed his career.

Born Farrell Draper in Kirksville, MO, on January 25, 1920, he received his first guitar at age ten, and within two years made his radio debut on Tulsa station WTUL’s Cy Perkins Show. From there, Draper hosted his own show on Des Moines outlet WWHO, occasionally substituting for sports announcer Ronald “Dutch” Reagan. He also cut a demo for RCA Bluebird, but the label declined to offer a contract. In 1938 the Drapers relocated to San Bernardino, CA. When he proved unable to resume his fledgling music career, Rusty worked as a Western Union messenger boy before pawning his guitar to fund a trip to San Francisco in search of a performing gig. He finally landed a residency at the Bay Area nightclub the Barn, after a year accepting a proposed two-week stay at the nearby Rumpus Room; two weeks ultimately turned into eight years, and during his tenure at the Rumpus Room, Draper met his wife Macia Willsey, who soon took over management of his career.

Coldplay Viva La Vida Album Flac

Willsey landed him appearances on The Ed Sullivan Show and Arthur Godfrey’s Talent Scouts as well as his own local San Francisco television showcase, and in mid-1952 the singer signed to Mercury and issued his debut single, “How Could You (Blue Eyes).”. Rush Week – Feels (2018)FLAC (tracks) 24 bit/44,1 kHz Time – 33:14 minutes 388 MB Genre: Indie PopStudio Masters, Official Digital Download Front cover © Elefant RecordsTo start things off, “Feelings” breathes life into the New Jack Swing, and gives it a sense of mystery and of emotional strength, like a version of THE XX full of light. It’s just enough to express an abstract, intangible, but powerful feeling. “Stranger Danger” talks about the mysteries of the night, of fear and danger, but with sweetness and an addictive chorus, and a melody that brings us back to Cindy Lauper at her most enchanting. On “Crush”, we can see RUSH WEEK’s disco vocation more clearly, on a song that would play non-stop on the MASTERS AT WORK’s stereo, and that Kylie Minogue, Sophie Ellis-Bextor and Sarah Cracknell would be thrilled to sing, just to get an idea of the range we’re dealing with.

Songs like “Be Like Mine”, on the other hand, are where we can most clearly see the reality of what they’re offering: a song that can evoke a contained Ellie Goulding, the elegance of WARPAINT, a chorus that Philip Oakey would adore And pointing out the influence of the best-selling producer Greg Kurstin makes everything perfectly clear. Or it does just the opposite. This definition is slippery, unpredictable, but always exciting. “Under The Gun”, one of the group’s oldest songs, develops the silkiness of Tracey Thorn and EVERYTHING BUT THE GIRL toward poppier, more luminous territory, to narrate a journey along California’s coast.

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